The thesis I make in my work is that the contemporary image, that is the digital, repetitive and elusive image, is freed from its traditional carriers and so gains a new drive in between the frames of cyber space and electronic screens. The image has, with an perpetual digital democratization, got rid of its constitutive elements of its being and so passed into the noise and flux of global data transfers and into a space of connections and inter-textual knitting’s. With my attempt to paint I directly deal with this problem of modern perception and the delivery of the image.”